There is a strange hard to
define relationship between writing and reading: the active and passive, the productive and
receptive, with the book existing somehow as a cipher, the common
denominator, between the two.
On my recent visit to Paris, emerging, as I was, from a particularly protracted period of ‘writer’s block’, it was my expressed intention to walk the city streets in search of inspiration; of ideas to somehow shake off the spell and be able to start writing again. Given that so many writers, particularly those of the so-called ‘lost generation’, had made their home here and had written their way into the literary heritage of the city - Joyce, Stein, Hemingway, Miller to name but a few, perhaps somehow, in some mysterious way, I could engage with the latent energies of the place that might feed into my own blocked creative well springs.
From boarding the Eurostar at St Pancras International, London,
my journey seemed destined to be marked by bookish themes, which I determined
to see as a positive sign. First there were my fellow passengers, whiling away their
journey lost in the private worlds contained between the covers of their chosen
books.
I can rarely read on journeys, preferring instead to watch the scenery outside the window and muse on life in passing; or else people watch - my fellow passengers in this case. These seemed divided between those quietly reading and others determined to pass the time carousing and singing a particularly bawdy genre of song that, after a while, moved me to stand up and suggest that, as a ‘captive audience’, the rest of the coach took a vote on what they were singing and whether we really did want to hear it or not ... No danger of the literary or artistic here!
Private worlds ...
I can rarely read on journeys, preferring instead to watch the scenery outside the window and muse on life in passing; or else people watch - my fellow passengers in this case. These seemed divided between those quietly reading and others determined to pass the time carousing and singing a particularly bawdy genre of song that, after a while, moved me to stand up and suggest that, as a ‘captive audience’, the rest of the coach took a vote on what they were singing and whether we really did want to hear it or not ... No danger of the literary or artistic here!
Time passed and we eventually made it into the Gard du Nord some
two hours late, and me from thence to my Left Bank hotel, hungry. Later still, I wandered out into the evening
and first spent some time perusing books in that well known literary outlet
Shakespeare and Company, (conveniently situated just round the corner from
where I stay) where, back in the 1920s, Hemingway had been used to borrow books
from the proprietor Silvia Beach. There were stacks of different Hemingway
books there, but I’m not a particular fan of his style, so I moved on in search
of others and came upon Miller’s Tropic of Cancer, flicked through it at
random, to be struck immediately by the all pervasive sexually explicit motifs
(oddly reminiscent of those bawdy songs sung back on the Eurostar a few hours earlier).
Good eats or good reads?
I didn’t really have the appetite for light
reading of the Miller variety either, so I eventually made my way to a little
eating establishment close by for more conventional fare, and settled for an appealing sounding plat du
jour. The atmosphere was cosy and intimate, the place
bustling with Parisian diners of every kind, but the walls were lined with
books, which seemed rather an oddity for an eating establishment. Of course you
can devour a good book, but not literally in a restaurant! A grotesque statue of an immensely obese
man seated close by suggested eating disorders of a more serious variety than
simply the consumption of good literature however.
Book addict?
The rest of my stay was to be divided between wandering either
through art galleries of the conventional variety to indulge my taste in
Impressionist and Post Impressionist painting, or that immense free open
gallery - the Parisian street - which supplies the passer by with an eclectic array of street art and graffiti of just about
every order.
There was time, too, to take in a visit to my favourite jazz club the night before boarding the Eurostar back to London. My trip to the City of Lovers (and writers and artists) was over; for now anyway. Greeting me upon my arrival back at St.Pancras International was the large statue of the poet Sir John Betjeman, gazing skyward at clouds which inspired these famous lines:
Street life
“And marbled clouds go scudding by
The many-steepled London sky.”
The many-steepled London sky.”
An inspired poet ...
Only time will tell whether I have been so creatively inspired myself!






















